The Renaissance Society at The University of Chicago presents a collection of notes or gestures, a fluid effort by the artist to consider the underlying structure of his practice, unburdened by the need for a “proper presentation” of each work. Throughout an ever-shifting body of work, David Maljković returns to “the question of form,” asking how considerations of form itself might illuminate the ebb and flow of ideologies, for example, or the overlaying of past, present, and future. Curated by Karsten Lund.
February 9, 2019 - April 7, 2019