Published to accompany the three-part exhibition 'Sources in the Air' by David Maljkovic at the Van Abbemusem, Eindhoven, BALTIC Centre for Contemporary Art, Gateshead and GAMeC, Bergamo.
The publication, which includes a newly commissioned essay by Anselm Franke alongside texts from the curators of each of the three venues, serves as the bind between each of the exhibition's iterations. Richly illustrated, it examines the political, aesthetic and scenographic threads deployed within Maljkovic's practice, assessing the move from a finely balanced projection of the varying legacies of international modernism, to a series of encounters staged between viewer, artwork, artist, and institution.