During the 1950s and 1960s, the Emaús workshops in Santa María Ahuacatitlán, Mexico, played a key role in redefining religious art in Mexico. Opening at CCS Bard's Hessel Museum of Art, Interference brings together 14 new exhibitions and curatorial projects that probe the hybrid conditions, change, and adaptation that have defined life and, in turn, contemporary art and curatorial practice, since the start of the pandemic.
